On the day after her book release last week, Bivens and I took a celebratory trip to the Met to check out “ Richard Avedon: Murals.” It seemed like a good match -the TV show and the exhibition both deal with ensembles and archetypes and are unadulterated reflections of the zeitgeist. Richard Avedon, Outtake from Andy Warhol and members of The Factory, October 9, 1969. I was so moved and realized, OK, we’re really creating something that felt we hadn’t seen it before-a show about teens for adults.” “But when I saw the dailies and the scene where Nate confronts Hunter in the kitchen at the house party, I cried. “Once Zendaya and Hunter Schafer were cast, and I did those first fittings, I started to think that this could be something special,” she said. “When I first got the call for the pilot, I was like, OK, let me cut my teeth on TV,” said Heidi Bivens, Euphoria‘s pacesetting costume designer as we were walking up 5th Avenue. I n its preproduction stages, i t would have been easy to underestimate the juggernaut HBO’s Euphoria would become. On paper, a television show that’s essentially a cross between Saved by the Bell and Requiem for a Dream doesn’t necessarily scream cultural game-changer. Don’t Touch Anything is the new column where William Van Meter takes a fabulous person to a noteworthy exhibition to talk through the show and their current projects.
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